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Destiny 2: Lightfall First Impressions

We’re a few weeks into Destiny’s latest expansion, Lightfall, and like I did with Witch Queen, I wanted to write down some thoughts. There may be some minor spoilers here.

Story

There are some interesting notes in the story for Lightfall, but it mostly feels a bit random and the tone is off. Lightfall takes us to the city of Neomuna on Neptune in pursuit of “The Veil”, an object of immense paracausal power that’s somehow related to the Traveler. After beating the campaign, you learn… Basically nothing. All I know is that it’s called “The Veil”, it’s immensely powerful, and it’s related to the Traveler in some way. The campaign mostly revolves around trying to stop Calus, now a Disciple of The Witness, from getting to it.

Well… That and Strand, the new subclass introduced with the expansion. Strand was shoehorned into the story pretty hard, to the point where some levels were entirely designed around it. When playing the legendary campaign, this was a huge annoyance, since you’re forced to give up your custom build for an underpowered Strand preset. There was one level that I chose to cheese instead of playing as intended because I felt so hamstrung by Strand. But more on Strand later.

Osiris and my Ghost

During the campaign, we mostly interact with Osiris, a former Warlock who lost his Light when his ghost, Sagira, was killed. Osiris has an interesting arc through the Lightfall campaign, where he learns to cope with his new powerlessness, and honestly this is the best part of the Lightfall story. There’s a uniquely moving moment with his character and I enjoyed his character growth.

On the other side of things, we have Rohan and Nimbus, the Cloud Striders who protect Neomuna. Cloud Striders are heavily-augmented humans who act as the Guardians of Neomuna. However, this augmentation process limits them to about a decade of life before their bodies reject the augmentations (or something like that). They’re meant to be noble heroes, I think. Rohan is the near-retirement “I’m too old for this shit” protector, and Nimbus is the young new guy who’s always cracking wise. Rohan predictably sacrifices himself during the story, which is portrayed as an emotional moment, but as a player, we’ve only had about ten minutes of interaction time with him at that point, so it falls flat. (Which is distinctly different from Osiris, who we’ve known about since Destiny 1 and worked with in-game since the Curse of Osiris expansion in 2017.)

We also need to talk about Nimbus. Their character has been somewhat controversial in the community, but as for me… I hate them. I think the character designs for the Cloud Striders are weird in general, but it’s Nimbus’ attitude that really peeves me. They’re just constantly making jokes and trying to sound “cool”. There’s an in-world event where you’re trying to stop the Shadow Legion and Vex from damaging the city, and during the event, they’ll send you messages as if it’s some competition, “This has been a real give-and-take race, folks! Every party is in it to win it!”. The city they are sworn to protect is under siege. Seriously? Even after their mentor dies, nothing changes. No growth. It’s annoying. That said, Nimbus is a non-binary character voiced by a non-binary actor, and I can at least give Bungie credit for that. I just wish they didn’t make the character so annoying.

Neomuna

The city of Neomuna

The new destination in Lightfall is Neonuma, a hidden city on Neptune that has grown on its own since just before the Collapse with little outside interaction. Unlike the Last City and the dilapidated human outposts throughout the rest of Destiny, Neomuna is a shining high-tech city. Recent events in the story have revealed its location, which leads Calus and the Guardians to the city.

The city itself is pretty interesting. There are storefronts, highways, and some really unique architecture. You can climb some of the buildings or use Strand’s grapple ability to navigate (there are grapple nodes scattered throughout the city). As the city is under siege by the Shadow Legion, the enemies are pretty dense.

Neomuna also has two world events that rotate throughout the city: Vex Incursions, and Terminal Overload. The Vex Incursion Zone is just an area with increased Vex spawns and some Vex architecture, as well as the entrance to the weekly “Partition” mission. Terminal Overload is the real draw.

Terminal Overload is a multi-step world event with decent rewards and several boss fights. It goes back-and-forth between fighting Shadow Legion and Vex, with a few different objectives like killing a certain amount of enemies or holding a point. I enjoy playing it, though it’s pretty difficult between the number and level of enemies.

New Mod System

Before I get into Strand, I want to talk about the new mod system that was introduced with Lightfall. I was interested in the changes since they seemed to simplify the disparate systems that existed before, and while I’ve seen some people upset by the changes, I think it’s an excellent change and a solid foundation for future work.

While the old system had multiple “orb” types that could drop (Orbs of Power and Elemental Wells) and certain mods effects that only worked with some equipment (Warmind Cell mods), the new system is built around two resources: Orbs of Power and Armor Charge.

Orbs of Power are generated by your super and with weapons or abilities if the appropriate mod is equipped. Armor Charge is gained by picking up an Orb of Power, but only if an Armor Charge mod is equipped.

There are also plenty of passive mods to improve stats or ability cooldowns.

So, for example, the start of a simple solar damage build may use “Solar Siphon” to generate orbs on solar weapon kills, “Solar Surge” to grant bonus solar weapon damage when you have Armor Charge, and “Time Dilation” to make that surge buff last longer.

Overall, I think the new system is easier to understand than the old (it even color-codes the mod types), and has a lot of potential for great builds.

Strand

Strand is the new subclass introduced with Lightfall, and it’s definitely a different way to play. On the whole, Strand is about what the community predicted: new, powerful, and the Titan Berserker is a bit boring.

I’ll go into detail in another post, but like other classes, there are a bunch of new keywords for the class. The buffs consist of: Woven Mail, a 60% damage reduction to body shots for a short time; Tangles, created by defeating targets with Strand abilities and can be thrown like grenades or grappled to; and Threadlings, creatures created from Strand that travel along the ground, jump at enemies, and detonate. On the debuff side: Suspend, which does what it sounds like; Sever, which lowers target damage output; and Unraveled, which works like Arc Jolt effects and causes further damage to create Strand projectiles that seek other targets (or the same target if no one else is around). And finally, there are three grenade types: the Shackle grenade suspends targets, the Threadling grenade creates Threadlings, and the Grapple is Destiny’s version of a grappling hook.

Classes

Now on to the specifics each class gets with Strand. (Warlocks definitely won here.)

Titan Berserker

I’m going to start with Titan since that’s what I play. The prediction beforehand was that it would be plenty powerful, but it’s yet another boring roaming super. After playing, I’ve found that’s exactly the case. On the one hand, Bungie has finally built a melee-focused subclass for Titans that’s actually somewhat viable in tougher content. On the other hand, basically all our classes are melee-focused, so when do the others get fixed? Also, the focus on crowd control makes it almost exactly like the Titan’s Stasis subclass, though at least it’s better and more cohesive.

Titans get a good mix of buffs and debuffs, being able to easily acquire Woven Mail and apply Suspend and Sever. When managed properly, these effects are very powerful together. The new “Bladefury” super is surprisingly effective against single targets (like bosses) due to a very fast attack speed. The ranged heavy attack deals good damage but can’t suspend bosses (though it does slow them). The “Frenzied Blade” melee has three charges and severs on hit (which helps keep you alive when you’re in melee range); it also works a bit like an instant shoulder charge and can be used when a jump comes up just a little short.

The aspects Titans start with are “Into the Fray” and “Drengr’s Lash”. Into The Fray grants Woven Mail when destroying a Tangle or casting a super. Drengr’s Lash causes the Titan’s barricade to send out a wave that travels along the ground and suspends and damages enemies it hits.

The Titan exotic, Abeyant Leap, causes Drengr’s Lash to send out two additional waves (for a total of three), which travel further and track more aggressively. It also grants Woven Mail whenever a target is Suspended. It’s a fantastic Strand exotic, providing a reliable way to gain Woven Mail and the ability to Suspend entire waves of enemies.

Overall, Strand Titan is pretty strong. It’s not terrible, but it’s basically just “Green Behemoth” (the Stasis subclass). Suspend is just a different freeze, Woven Mail is a different form of the Stasis crystal damage resistance (via a fragment). Like the Stasis class, however, I’m not a fan of the melee. It’s not strong enough, and it’s been really buggy when I try to trigger it. Sometimes it triggers immediately, sometimes I have to hit the button twice; which sometimes causes it to attack twice after a delay. If it was more reliable, I’d probably use it more often. As it stands I’m mostly using it for mobility or in emergencies, and I’m focused more on suspending enemies with my barricade and grenade.

Hunter Threadrunner

The Hunter’s Strand kit focuses on the new Grapple ability and mobility.

The Hunter’s “Silkstrike” super lets them use their grapple more frequently and gives them a rope dart to attack enemies at close-to-mid range. The melee is “Threaded Spike”, which throws a dart that bounces between targets before returning, refunding energy for each enemy hit. Catching the spike with perfect timing (when it returns) grants additional energy.

Hunters get the “Ensnaring Slam” and “Widow’s Silk” aspects. Ensnaring Slam allows Hunters to use their class ability in mid-air to dive to the ground and suspend nearby enemies. Widow’s Silk lets Hunters grapple more often; they get an additional grenade charge (which applies to Grapple), and their grapples create a “Grapple Tangle” which can be used by players to grapple freely.

The Hunter’s Strand exotic, “Cyrtarachne’s Facade”, grants them Woven Mail whenever they use their Grapple ability, and gives them increased flinch resistance while Woven Mail is active. It further builds into the mobility aspect, but seems PvP-focused.

Thoughts

From what I’ve heard, the Hunter kit is a bit underwhelming, with the long grapple cooldown hindering some of their mobility. The super is also difficult to keep at the proper range to ensure frequent crits (each attack steps forward).

A few of the builds I’ve seen revolve around using the grapple melee to repeatedly hit targets suspended by Ensnaring Slam. It seems like it could work, but I think the Titan’s version (using their Barricade) is better.

Warlock Broodweaver

I think the Broodweaver is the most impressive of the new subclasses. It’s a minion master style class, where you get to keep a small army of Threadlings to attack enemies. All classes can use Threadlings, but for Warlocks, any Threadlings they create that don’t detonate (because they can’t find an enemy) will return to the Warlock and “perch” – turning into a little green ball orbiting the Warlock. The next time the Warlock attacks an enemy, these perched Threadlings will jump down and attack the target.

The Warlock super is “Needlestorm”, which summons a barrage of needles and launches them forward. The needles stick into enemies or the environment, then detonate and transform into Threadlings that seek out nearby enemies. Their melee is “Arcane Needle”, which summons a projectile that tracks targets and unravels enemies. There’s a fancy animation to fling the three charges.

The Warlock’s aspects are “Mindspun Invocation” and “Weaver’s Call”. Mindspun Invocation improves the Warlock’s grenade ability: Grapple weaves three Threadlings when using a grapple melee; Threadling grenades can be consumed to generate a full complement of five perched Threadlings; Shackle grenades can be consumed to gain a buff that creates a suspending detonation on every kill. Weaver’s Call has the Warlock summon three Threadling eggs when they cast their Rift.

The Warlock’s Strand exotic is “Swarmers”, which spawns a Threadling whenever they destroy a Tangle, and also makes Threadlings unravel targets that they damage. Since Warlocks can keep Threadlings ready nearly constantly, this seems like it could be really powerful.

Thoughts

I haven’t heard anything negative about the Warlock kit. Threadlings seem pretty strong, and being able to essentially “bank” five seeking grenades at all times is pretty powerful. It does seem like that’s it’s one trick, however, so if you’re not interested in the Threadlings, it may end up under-performing.

Season of Defiance

The season story focuses on what’s going on back on Earth. The Black Fleet has arrived and Earth is under siege, just like Neptune. The Shadow Legion is rounding up prisoners and locking them away in prison ships for some unknown purpose, and Queen Mara is helping you navigate the Ascendant Plane to infiltrate their ships and free them.

We’re only a few weeks in, but there’s already been some backstory with Amanda Holliday, and there’s a side story about her relationship with Crow. It’s honestly a bit more engaging than Lightfall’s story.

The seasonal activity is “Defiant Battlegrounds”, where you’re infiltrating the prison ships and freeing prisoners. It’s similar to past “battlegrounds”, with a little extra difficulty. They’re well designed and fun to play. Bungie knows their formula here.

They’ve also improved the rewards from the activity, so it’s worth running and re-running to unlock weapons for crafting and get better rewards.

Exotic Quests

There are a number of new exotic weapons with special quests. I won’t go too much into them to avoid spoilers, but the weapons are great and some of the quests are simply fantastic. The new exotic mission is great, with a lot of secrets to unravel.

Quality of Life

Along with the big changes, there were also a lot of quality-of-life and social updates.

Weapon Crafting

Weapon crafting has been simplified, with the removal of “Deepsight Resonance” as a resource. Now, weapons are crafted with Glimmer, Legendary Shards, and Legendary Cores; resources that have existed for a long time. Resonant Alloys and Ascendant Alloys are still around for the more advanced crafting, though. This is what I expected way back when weapon crafting was first announced.

I haven’t had a chance to craft any new weapons this season, so I’m not sure if the new costs are absurdly expensive. I’ve seen some complaints, but the one old weapon I crafted (to replace an old roll) was pretty cheap.

On a side note, Bungie stated that they were making fewer weapons craftable this season, which really bums me out. I prefer crafting weapons to grinding, so this seems like a step backward in general. There are a few Terminal Overload weapons I would love to craft, but they’re not in the set of craftable weapons.

Loadouts

The new loadout system is pretty good, if a bit restrictive. A loadout stores your armor, weapons, mods, and ornaments for quick swapping; and the swapping is extremely quick, which is nice. However, you’re limited to only 10 at max, which is pretty limiting. (I have about 30 in DIM for my Titan.) We’ll see if it changes over time.

Commendations

I like the new commendations system, but I think it’s a little off the mark. For one, there are Guardian Rank requirements to earn a number of commendations (750 to get to level 7!), which encourages players to hand them out all the time to help others reach the next rank (instead of only giving commendations when earned). Also, you’re limited in which commendations you can give out. If you play a Vanguard Ops mission and your two fireteam members were both fun to play with, you can’t give them both a “Joy Bringer” commendation; you’re limited to one “Joy Bringer” and one “Thoughtful” commendation. Not sure why I can’t just give what’s appropriate, even if it’s limited to one per player.

Adding them to Guardian Ranks to grind was a really bad idea, though. Commendations should be a completely separate system, encouraging players to be selective in the commendations they give out and letting them be a metric of how a particular player plays the game, not something to be given out randomly.

Guardian Ranks

Howdy.

Speaking of Guardian Ranks, this system is a bit rough, as well. Basically anyone who has ever played Destiny before started at rank 6. If you’ve played every Raid and completed every Dungeon on Master difficulty, you’re still the same rank as the player who’s around once in a blue moon. It doesn’t truly speak to a player’s level of experience.

In addition, Guardian Ranks will reset every season. So instead of being something that should indicate how experienced a player is, it’s just a different way of showing how much someone has been grinding a season. Which is exactly what we had before with the seasonal ranks being displayed.

So I’m level 6 and until I’ve finished a bunch more random objectives, I’ll still be level 6. And next season, I’ll start at level 6 all over again, which doesn’t give any feeling of progression. It feels off, even if that was the point.

Overall

I think Witch Queen was a better expansion overall. Like a lot of people, I’m disappointed by Lightfall’s story; there’s been communication from Bungie that indicates there will be Lightfall-specific story beats throughout the year in other seasons, but Witch Queen‘s story felt complete without needing a year to finish telling it. The campaign itself feels padded with the Strand stuff, which would have been better handled as a set of side quests.

The season itself is fine and follows Bungie’s typical formula. The new Commendation and Guardian Rank systems also seem to follow the typical Bungie pattern: they’re really rough or broken at start and get fixed over time. Already, they’ve lowered the number of commendations needed to advance Guardian Ranks. (Though the correct answer here would have been to reduce the necessary amount to zero.)

I’m still invested in the story, but Bungie has definitely made a few missteps with Lightfall. Hopefully the coming year smooths things out.

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Games Reviews

Destiny 2 – Witch Queen Final Thoughts

Back in February 2022, I wrote about my first impressions on The Witch Queen expansion. Over the past year, there have been a lot of changes, and I’m looking forward to the changes coming in Lightfall, so I thought I’d put down my thoughts about where Destiny’s at now and what I’m looking forward to in the future.

Campaign

The legendary campaign was a great addition, which was difficult but rewarding. The campaign itself was a great journey, leading you through Savathûn’s Throne World and into a final confrontation with the Queen herself. There was a bit of mystery woven into the narrative, appropriate for the queen of deception and lies. I thoroughly enjoyed the campaign, though it only took me about three days to complete. I played most of the campaign solo, and it took about 30 minutes to an hour for each mission (which, compared to single-player games, seems about right).

After the campaign, a number of other missions open up that can be repeated and reveal a little more narrative. There’s the “Altar of Reflection” missions where Savathûn has basically left recorded messages for you. These messages are typically “two truths, two lies” and provide more background narrative. Then there’s the “Preservation” mission that leads you into one of the Witness’ pyramid ships where several interactive objects provide a lot of narration from Rhulk, a disciple of the Witness with information about where their people came from and how they started on the path of Darkness.

Overall, the campaign was very fun and had several memorable moments.

Seasons

The seasons over the past year have been pretty good, with some that push the narrative and some that serve more as placeholders, which has become the norm.

Season of the Risen

Season of the Risen aligned with the campaign, providing more content around the Lucent Hive, and the investigation into how they got their power and how to fight them.

The new seasonal weapons were a great way to launch weapon crafting, with several I still use like the Syncopation-53 stasis pulse rifle, Piece of Mind kinetic pulse rifle, and Explosive Personality solar grenade launcher. The seasonal exotic, Dead Messenger, is still a powerful weapon that I see most often used in PvP (though it’s great in PvE as well). A few of the random drop weapons are so good I wish I could craft them, like the Krait and Herod-C stasis auto rifles and Perses-D stasis scout rifle.

Season of the Haunted

Nicknamed “Season of Therapy”, this season had narratives centered on the personal demons of Crow, Zavala, and Caital. The Derelict Leviathan, Calus’ ship, returned to the moon and was a fantastic patrol zone, with an open-world event and great enemy density.

Weapons from the Season of Opulence returned, with some favorites like the Calus Mini-Tool SMG, Beloved sniper rifle, and Drang (Baroque) sidearm. The new seasonal weapons were kind of a flop, though I still enjoy my Without Remorse shotgun.

Season of Plunder

Season of Plunder felt like a filler season, with Guardians chasing “Artifacts of Nezarec”. Nezarec was a Guardian in the lore who was tempted by Darkness and became a Disciple of the Witness. (Warlocks have an exotic helm called “Nezarec’s Sin”.) Eramis has been awoken from her icy prison (she was frozen at the end of the Beyond Light campaign) and has been collecting these artifacts. You “borrow” a ship from Spider and venture out to steal these artifacts back from Eramis’ lackeys.

Though narratively it felt like filler, the seasonal activity was fantastic. Everything was appropriately pirate themed, from the weapons and armor down to the soundtrack. You set out from your ship and launch yourself to an enemy ship, then storm through several encounters on the ship before facing an enemy captain.

Season of the Seraph

As with Season of the Lost at the end of Beyond Light, Season of the Seraph seems to mostly serve to set up Lightfall, though I loved the narrative. We start off retrieving Clovis Bray to help us revive Rasputin, the AI Warmind built to serve as humanity’s protector. The seasonal activity has us performing “heists”, delving into Warmind bunkers to retrieve parts of Rasputin’s code to reassemble him. Meanwhile, the Hive and Scorn are in the bunkers attempting to take control of the warsats to attack Earth and the Traveler. When Rasputin regains control of the warsats, we learn that using them to wipe out our enemies would play right into Xivu Arath’s plans, serving as a massive sacrifice to empower her. Rasputin starts searching for an alternative, but in the end determines that the only option is to destroy himself and the warsat network. In an epic finale, we infiltrate the control facility for the warsats, inject Rasputin’s code, and just barely manage to stop Eramis from turning the warsats on the Traveler.

Like Season of Plunder, the activity this season was great. It was at a set difficulty, five levels above your current level, ensuring it provided a good amount of difficulty. Bungie has said that it’s the model they plan to use in the future.

Light 3.0

The Witch Queen expansion brought the “Light 3.0” class reworks over the course of the year, and I think they were very successful, at least from the perspective of a Titan main. I know there are several classes that are still very weak (all roaming supers) or overly powerful in particular modes (void overshields in PvP), but I feel like the changes have helped breathe new life into the classes.

Void 3.0

I think the Void rework for Titans was near-perfect. In Destiny 1, Void was meant to be the “immovable object” aspect of Titans, and Void 3.0 gave us the ability to create Void overshields with our barrier, making Titans (and allies) very tanky. I didn’t play Void much before the rework, but it’s become my go-to when I need durability for high-level content. I used Void during the final boss fight during my solo Seraph’s Shield exotic mission runs.

While I’m not a Hunter or Warlock expert, I think the Void rework turned out well for these classes as well. For Hunters, Void epitomizes their stealth aspect, with plenty of options to gain invisibility (which is still a nightmare in PvP, even after nerfs). For Warlocks, their Child of the Old Gods pet and easy access to the Devour buff is very powerful.

Solar 3.0

I think Titans “won” the Solar rework. Solar was my preferred subclass before the reworks, and I mostly ran the aspect with sunspots (since the sunspots were powerful and it had my preferred super). However, I loved the throwing hammer melee, which could be retrieved to instantly restore my melee energy, but it was part of a different aspect. The 3.0 rework for Solar now lets me use the throwing hammer, create sunspots, and use my preferred super. The addition of the Loreley’s Splendor exotic helmet also lets me create sunspots with my barricade ability, allowing me to create a healing and ability regenerating sunspot whenever I like. I haven’t used Solar much since the Arc rework, but it’s probably still my favorite subclass.

Hunters got a much more powerful Blade Barrage super and a new dodge ability to instantly apply Radiance, which provides a weapon damage buff. Warlocks got a grenade upgrade aspect, which gives them some of the most powerful grenades in the game.

Arc 3.0

The Arc rework has been a lot of fun. Titans got a new “thruster” dodge ability that replaces our barricade and a new “thunderclap” charged melee (the first such melee in the game). Between the thruster ability, the Arc “speed booster” buff, and the standard Arc shoulder charge melee, Arc Titans are extremely mobile. Arc is also the Titan’s grenade class, so we have some overcharged grenade abilities. During Season of Plunder, when the Arc rework was introduced, there were some modes where I could use grenades as my primary weapon. Things have been nerfed since then, but I can still spam grenades in most content, and the extra speed and mobility has kept me playing the class throughout the past season.

Hunters got a new super that allows them to throw their Arc Staff at a location, where it sticks and creates an AoE damage field. It’s hilarious when a Hunter with good aim impales it in a boss’ face. Some players have also found out you can impale it in a sparrow and get a roaming damage field. Warlocks got aspects to enhance the Ionic Traces generated from most Arc abilities, giving them better ability uptime; as well as a new “ball lightning” melee and an aspect that changes their melee into a lightning dash with a small AoE (which, with minor buffing, can get one-hit-kills in PvP).

Looking Back

Looking back, I think this has been a great year for Destiny. One of the main draws for me has always been the story, and the narrative has been progressing steadily throughout the seasons. Weapon crafting has eased the weapon grind a bit, with some really great crafted options, and the process was simplified quickly after its initial rocky release. The Light 3.0 reworks have made buildcrafting a lot more fun and opened up a lot of possibilities.

Overall, the changes over the past year have kept me excited about what’s coming next.

Looking Ahead

Bungie has been pretty open over the last few weeks about what’s coming in Lightfall, and while I’m mostly excited for what’s ahead, some of what they’ve shown hasn’t had the best reception.

I’ll start with the things I’m most excited about, though.

Quality of Life

Lightfall is bringing a number of quality-of-life changes, like a new loadout system, fewer currencies, and some streamlining to several systems they’ve used in the past. I’m most interested in the loadouts, since that should help with buildcrafting and loadout swapping without needing to use an external app.

The buildcrafting itself is getting a big change, with armor elemental affinities going away (good riddance), and a completely new “armor charge” system with mods built around it. It sounds like buildcrafting will be easier but also allow more variety.

There are also some improvements coming around weapon crafting and random drops. Random drops will gain the ability to have the enhanced perks on crafted weapons, which should make a good roll of a weapon valuable (rather than random rolls of craftable weapons being trash since you can’t enhance them). Weapons that cannot be crafted will no longer drop with Deepsight Resonance (the way you unlock crafting recipes), which should make things a bit clearer for new players. And there’s been a little talk that the economy around crafting weapons will change as well, though I haven’t seen many details around that.

Guardian Ranks

Guardian Ranks should be a great way to determine where a player is in their Destiny career and provide guidance to new players for things to do. I’d like to think that I’ll be near the top when the ranks are introduced (having played since launch), but I haven’t run most of the raids so I’m sure I’ll be behind on things. Regardless, I think it’ll be a great way to understand how experienced players are.

More Social

Bungie have said they’re switching to opt-out for text chat, which should let players communicate more easily. (There are probably some players who don’t even know there’s text chat in Destiny.) They’re also adding a new “commendation” system after matches, which should let players reward each other for friendly play. The LFG functionality that’s currently in the Destiny app unfortunately isn’t coming with Lightfall’s release, but hopefully isn’t far behind.

Strand

The Titan even looks bored in this promotional image.

The unveiling of the new “Berserker” Strand subclass for Titans has landed pretty poorly, and Bungie’s damage control since then hasn’t done much to inspire confidence. Hunters look great, and Warlocks look amazing, but Titans have been presented with another melee-heavy class with a roaming melee super (making the vast majority of our supers roaming melees, something like 5 or 6 of the 8 total). Comments from Bungie after only made it worse, with one of the lead designers saying “…at the end of the day, you’re holding the fist on the cover”, which, aside from being poorly worded, is a position that Bungie themselves have put Titans in, like a self-fulfilling prophecy. During the ViDoc with the development team, they were obviously excited to talk about Hunters and Warlocks, then had little to say about Titans. It’s to the point where I’ve spent the last week building up my Warlock so I can enjoy the new subclass.

All that said, I think the Berserker Titan will be plenty strong, and will likely be one of the most powerful melee subclasses in the game (it had damn well better be, since that’s it’s one trick). The reception from the community isn’t really based around the strength of the class but rather about its originality, which basically seems to pick parts from other subclasses and combine them. In the case of the super, it’s basically the same as the Stasis super with some different flavoring. I’m hoping it’s fun, but I’m hoping more that they come up with something better for The Final Shape.

Closing Thoughts

The Witch Queen has been a great expansion for Destiny, adding some much-needed changes with weapon crafting and the Light 3.0 rework. It pushed the narrative, both revealing The Witness and moving toward our final confrontation.

While the unveiling of Lightfall has been a bit of a flop for Titans, I’m still excited about the future of Destiny. I’m just disappointed with how the Titan class is shaping up overall. I think the design team at Bungie has largely forgotten what it means to be a Titan; devolving us into the punching class which, while certainly part of the identity, is boring and completely ignores a large part of our class identity. Hopefully they can course-correct before The Final Shape.

Beyond that, I’m very excited about what’s coming to Destiny. The new social aspects should make it easier to reward players and identify those worth playing with. When the LFG functionality is introduced, it should be easier to find groups for higher-level content. Combined with Guardian ranks, it may even prove a better way to restrict who can join you (i.e., an alternative to the “know what to do” groups in the app).

There are some great things coming, and I’m looking forward to seeing how things shape up.

Categories
Games Reviews

Steam Next Fest – 02/23

Another Steam Fest, another set of rapid-fire demo reviews.

Space Reign

I’ve actually played this demo a few times to see how things are coming along. I love the idea behind the game, but the combat is frustrating to me. I think it’s mostly due to some controls (which I have to relearn every time I play), but also because of very limited ammunition. You’re dropped into an area to patrol and dogfight, outnumbered and outgunned. In all my experiences with the demo, I typically die from attrition; I have a hard time actually hitting targets (despite lining up my lead indicator), and I eventually run out of ammo or get slowly whittled down by random hits. Maybe games like Everspace have just spoiled me when it comes to accessible space combat. That said, I really like the style and what they’re working toward, so it’ll stay on my wishlist for now.

Sons of Valhalla

A Viking-themed Kingdom-style side-scrolling building, exploration, and combat game. The start felt really grindy to me, having to go get a few hits in, then retreat to heal (during which the enemy had fully restored their forces). Felt like I was hitting a wall and going nowhere, despite building up my forces. I assume something’s just not clicking with me. Has that same pixel art style as Kingdom, too.

Oxygen

Survival city builder in the vein of Frostpunk. Magma bubbling up through fissures has caused Earth’s atmosphere to become toxic. Instead of a generator producing heat to fight the cold, you have an “oxygen center” producing oxygen to provide oxygen for your population. There didn’t seem to be anything that really made Oxygen stand out, but it’s not bad.

Super Adventure Hand

I first saw this on Reddit (the Unity subreddit), and thought the idea of a hand walking around looked interesting (also bizarre). When I saw it in the Fest with this fantastic title, I decided to give it a try. It’s a physics-based puzzle platformer with some quirky humor (you get chased by feet with eyes in some levels). Fun to play, pretty easy to get into.

Urbo

Basically 2048 as a city builder. It’s nice and serene, but I was expecting more.

Mars First Logistics

I’m sure it’s fine if I just drag this delicate telescope mirror around on top of my rover.

I enjoy the occasional open-world vehicle-building puzzler, like Main Assembly or Trailmakers, and this one is more of that type. Mars First Logistics has an art style like Sable (which is beautiful), and tasks you with modifying your rover to deliver goods from point to point. The goods you deliver help build up infrastructure on the red planet, like a telescope in the demo.

Cybertown

A cyberpunk city builder. They have the bright neon lights vibe down, but the interface is really rough, and it doesn’t work on widescreens.

Voidtrain

Basically Raft with some Subnautica flavor and interesting theming. There’s some Norse styling which is hopefully tied into the story somehow and not just something to look cool. Hopefully there’s something you can build to automatically collect scrap in the full version because boy does that get boring fast. Looks great, and maybe they’ll throw in a peaceful mode so I can just build my train.

Darfall

A voxel survival city-builder with some RPG elements. You get a hero that levels up and is your main defender while building a city to harvest resources and fulfill the needs of your workers. It looks like you can recruit soldiers but I could never figure out how. At night, the undead rise and attack your city, which you have to fend off with your hero (and, presumably, soldiers). During the day, you’re free to explore the surrounding area, killing off roaming enemies and destroying small outposts. The UI can be a little obscure sometimes, but the game as a whole is pretty decent.

Meet Your Maker

An FPS where you raid player-built bases to steal resources, which you use to level up your equipment and build your own bases. The bases are basically small mazes you fill with traps and guards. Has a post-apocalyptic cybernetic body-horror aesthetic. I’m not sure what happens when your base gets raided (do I lose resources?) as I didn’t play long enough to be able to build my own (it requires a decent amount of resources). The first levels feel really grindy, getting only a trickle of resources from each raid. And it all just feels too much like a desktop version of one of those mobile games where every player is attacking each other asynchronously.

Capes

Weathervane’s chain lightning connected with several explosive barrels.

When I saw Capes, I immediately thought of Freedom Force, and it doesn’t disappoint. I loved Freedom Force, a tactical turn-based strategy game where you control a team of superheroes. Capes is just what I wanted, with a roster of heroes with fun abilities and “team-ups” that boost their powers when certain teammates are near. A lot of fun. Definitely recommend.

Infection Free Zone

I’ve played the demo for this one a few times as well, and I’m still excited about it even though there’s still a lot of work needed. You’re in charge of defending an area from zombies, building defenses, farms, etc. But the draw for me is that it uses orbital maps to allow you to play in any real-world location. Unfortunately the demo is locked to only a few areas, but the idea of turning my neighborhood into a zombie-free compound keeps me interested in this one.

Exogate Initiative

Still one of the games I’m most excited about. There’s been some good progress on this one since the last demo I played. There’s a bit of a tutorial now (there’s at least specific objectives to guide you through the start), and the interface is a bit cleaner now. Build your base, hire Gaters, send your teams to alien worlds for exploration and profit. It’s the best Stargate game I’ve ever played. Can’t wait for this one to release.

Fabledom

A cute city-builder with a very storybook style. You can interact with other kingdoms and unite the lands through “love or war”. You can find yourself a king/queen, and it looks like the full game will have some combat as well. Looks decent. The male and female characters remind me of the mom and dad from Luca.

Phantom Brigade

I had completely forgotten about Phantom Brigade, but after playing the demo, I’m hooked. The timeline system is a great way to orchestrate attacks, and being able to see what everyone will do allows you to play very aggressively, which is refreshing since most tactical games (like XCOM) encourage playing very slow and defensively. I will definitely be picking this one up when it releases (in two weeks).

HumanitZ

I’ve been searching for some sort of survival defense game where you can build a base, set up defenses, scavenge for resources, etc. This isn’t it. The interface and controls are really clunky and it’s in desperate need of a tutorial. It needs a lot of polish. Also, that title is just terrible.

Dust and Neon

A slick and stylish isometric action looter shooter. The reload animations are fantastic. A lot of fun. The demo starts you off with a good set of upgrades, so you get a feel for the mid-game (I assume).

Perseus

Isometric action roguelike. Seems like it wants to be the next Hades, mixed with a bit of Diablo, but the combat is a little annoying and uninspired.

Galaxy Pass Station

It’s basically Papers, Please with some space station building mechanics. It’s not bad, but I don’t think I’m really into the “catch all the mistakes” gameplay. You can at least build “bureaucrat desks” for robot bureaucrats to check documents for you in this one, though.

Planet of Lana

An absolutely gorgeous puzzle platformer. You have a little cat-like creature that follows you around and helps you solve puzzles. There looks to be an interesting story going on in the world as well, which I won’t comment on to avoid spoilers.

1000xRESIST

A narrative game where you flip between time periods to experience the story and figure out the mystery around the game. It’s a weird one, but I enjoyed how the story was told in the demo.

System Shock

It’s System Shock. I love how the graphics are a semi-pixelated retro style but still look clean and modern. Interface is really clean, too.

Broken Arrow

Looks like a solid tactical strategy game. Not really my thing, and I couldn’t play too much because it runs terribly without my new video card…

Roots of Yggdrasil

A roguelike city builder, similar to Against The Storm, but more puzzle-like. Building is turn-based, with income each turn based on the buildings you’ve placed. There’s a different objective on each map, and if you take too long, a dark cloud starts covering the map and if it gets to the portal, you lose. I prefer Against The Storm, but this one isn’t bad if you want something more puzzley.

Builders of Greece

A fairly standard city builder with a Greek theme.

Lakeburg Legacies

A charming little village management game where you manage the lives of your villagers. A big focus of the game is pairing your villagers into couples, which isn’t something I expected to enjoy as much as I did. You don’t get to build your village directly (building order is predetermined), and you just build houses as you need them in a separate view. Instead, you manage who works where, assign apprenticeships for children (to determine their affinities for jobs as adults), make sure everyone’s needs are filled, and handle villager’s dates (awkward moments and all). It’s like part village management sim and part dating sim, with a lovely art style.

Shadows of Doubt

A detective game with a procedural world and a voxel art style. Needs some optimization, and I’m not sure if I missed something or if the tutorial didn’t guide me to everything I needed for the first case; it led me to a murder reporting form that wanted the killer and I hadn’t figured out that information yet. I did enjoy organizing the case board, though. Has potential if it’s able to procedurally generate cases for you to solve.

My Dream Setup

A very rough approximation of the home office I share with my wife. I got lazy with the details.

Definitely more a toy than a game, but it’s a nice way to visualize furniture and layouts. It’s basically what I typically use The Sims for, without job or artificial social interaction.

Mr. Saitou

A game about a llamaworm that works a boring job. Basically a cute little adventure game. According to the Steam page, meant to be a short story about finding meaning in life.

Radio The Universe

A 2D action game with a interesting style. Dying resets the room you’re in. Not really my sort of thing, but I like the style.

Afterimage

A beautiful 2D Metroidvania. Gameplay is pretty solid, though in the short time I played the demo, I’m still a little confused about what’s going on.

SUPER 56

A game composed of 56 minigames and the whole thing (menus and all) is controlled with a single button. Some of the minigames are pretty difficult when you’re limited to a single key (racing and minigolf). Others are pretty simple (type “A” 100 times). Very wacky.

The Pale Beyond

A narrative survival game where you have to make some very tough choices. It’s based on historical polar expeditions, and you’re constantly fighting to manage your food, fuel, and “decorum” – basically a measure of the civility of your crew. The demo was a lot of fun; I’m looking forward to trying the full game.

Mail Time

A cute little game where you deliver mail and fetch items for various creatures. It’s adorable.

Tape to Tape

A roguelike hockey game. I’m not typically into sports games, but I like the style of this one. You earn powerups after each match and can unlock new “stars” to bring with you for each run. What little I played was a lot of fun, though the menus don’t work well on a wide screen.

Next Fest Complete

I obviously played a lot of demos during this Fest (and a few of these after it ended). I found a handful that I’m definitely looking forward to, like Phantom Brigade and Capes; and there were several that I’m not really interested in but were fun to dip into. Some of these were suggestions from articles I read and wouldn’t have tried on my own (like Tape to Tape and Mr. Saitou), which was a good diversion from the sort of games I typically play.

I think my favorites this time around were Phantom Brigade, Capes, Dust and Neon, and Exogate Initiative. They’ll definitely be in my library at some point.

Categories
Games Reviews

Review: Patron

I picked up Patron during Steam’s winter sale because it was cheap ($8), had decent reviews (75% positive), and it sounded like it’d be my sort of thing. After playing long enough to earn all the achievements, I’ve found that while it’s not bad, it’s lacking a lot of things that could make it great.

I’ll start off with the positives: Patron looks good, has a nice ambient soundtrack, and the UI serves to get the job done. There’s plenty of stuff to build, from a handful of houses to a few dozen town and production buildings; most with some purpose in your town. Many of those buildings can be upgraded to either increase their production, lower their upkeep, or increase their workforce, allowing you to spend resources to improve existing buildings instead of building new ones. At your town hall, you can set various decrees that have global effects like increasing production or reducing upkeep, which is a nice touch.

Surviving the first winter took me a few tries just to get the balance right. You really just need shelter, food, and firewood, but the hardest part is getting that done with the handful of peasants you start with. However, once you’re past the first winter, the game becomes pretty easy; the most difficult part is keeping up with housing as more and more people come to your town. After building out my first town with a few hundred houses, I decided to just quit and let the homeless leave once they were fed up.

And before I get to the negatives (which are going to be plentiful mostly because they’re easier to talk about), I want to reiterate that Patron is a decent survival city-builder in the vein of Banished. However, I think Patron ends up closer to the bottom when compared to similar games like Banished and Farthest Frontier.

This guy was always complaining about coal.

Most of what’s wrong with Patron comes down to annoyances due to a lack of information in the UI. Survival city builders, by their nature, involve a lot of resource management – you need to know what you’re producing, how much you’re producing, where it’s going, etc. While Patron’s UI exposes a lot of this information, sometimes it’s lacking in ways that completely shut down production chains.

Let’s take something as simple as breadmaking. To make bread, you need a windmill to turn the wheat to flour and a bakery to turn the flour to bread. The UI says my fully-upgraded windmill will take 1750 wheat and turn that into 3950 flour per year. Likewise, the UI informs me that the bakery will take 750 flour and 750 firewood to produce 1881 bread per year. However, despite sitting on tens of thousands of wheat, my bakeries are sitting idle, unable to get their resources. Beyond an exclamation point telling me that there’s a problem getting the resources, I’m left bewildered as to what the problem may be. The mill and bakery are literally next to each other, with a depot a short walk away for deliveries from the stockpile. I ended up solving the problem by just importing flour when I was below a certain amount.

There’s likely a very logical reason why things aren’t running as smoothly as they could be, but there’s nothing to tell me what’s wrong. Maybe the workers need to live nearby? But I have no control over where people live, and they don’t shuffle around to live closer to their jobs, so that seems like an odd requirement.

Fine, leave! I didn’t want you here anyway!

Another problem I faced was with people who were upset about something in my town, typically safety, but the town had high satisfaction in that area. My assumption is that while my citizens were happy on average, there were one or two people who were completely unhappy. But again, there’s no way to tell that – all you ever see are averages unless you click on every individual house to see the satisfaction for the family there, and I’m definitely not doing that.

Concerns like safety can be raised by building certain structures – guardhouses or watchtowers for safety – and while they work just fine, there’s no way to see an overlay of what areas are covered by a structure. When building a new one, I can see its effective radius, but I can’t see if there are any other buildings covering the same area. This has led to me placing redundant buildings near each other.

The tech tree is pretty chaotic as well. There are some things that have nonsensical requirements (not sure why I need a university before I can unlock the last crops), and other things have requirements in separate branches (so you can unlock them before being able to produce the resources to build them). I think this is just a limitation of how the tree is arranged, being very short and wide, so things were shuffled around to put them later on the tree even though they require things from earlier on the tree. There’s also no easy way to search for anything, so while the deep research tree could be a great way to keep things interesting, it ends up being another annoyance.

Get used to the job board. You’ll be looking at it a lot.

And finally, my biggest annoyance: the job board. I’m going to compare this to Banished since it’s the easiest comparison. In both Patron and Banished, the job board serves to set how many people you want working in each profession, with any leftovers in a general “worker” category that transport resources and build structures. Where they differ, however, is what happens when you lose a worker. In Banished, if you had 5 workers assigned to woodcutting and one died, a worker would fill their place (unless you had no workers remaining, in which case the job would be left unfilled). In Patron, when a worker dies, nothing happens. You just have one fewer worker in that profession. Your production dips, and if you’re not careful, wreck a nicely-balanced system. So you’re left micromanaging a UI just to keep things all the jobs filled.

Making sure all my houses are insulated…

Also, while being able to upgrade buildings is interesting, having to upgrade every single house with insulation became very tedious late-game.

Though even with the UI being a pretty frequent annoyance, I still found the game to be pretty easy (on normal difficulty). Beyond the first winter, things were simple, and I just kept building new things whenever I was low. Like a lot of these games, the key is just stockpiling huge amounts of every resource. Even if you’re having a hard time producing something in sufficient quantities, you can just import it from the harbor, since you’ll have plenty of coin to burn anyway.

So unfortunately, while Patron does have some things going for it, it’s hampered by its poor UI and some odd systems. The annoyances are relatively minor but frequent and numerous; death by a thousand cuts. In the end, I’d only recommend Patron to someone desperate for a Banished-style city builder, but there are numerous other games that fill the space better: Banished itself and Farthest Frontier immediately come to mind.

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Games Reviews

Review: Mars Horizon

Rocket launch in Mars Horizons

I played the demo for Mars Horizon a while back and it had me interested. It’s definitely not Kerbal Space Program or Simple Rockets; it’s more of a space program management game than a rocket building game, with some interesting mechanics during space missions. Because of that, there’s some tedium in managing certain aspects, but nothing I’ve found to be too boring.

Mars Horizon puts you in charge of a space program. There are several real-world programs you can choose from (NASA, ESA, JAXA, etc.) or you can create your own with custom perks. Each has slightly different bonuses, but none have a custom campaign: you’re simply participating in the space race. There’s also diplomacy, where you get bonuses for good relations and a funding increase for poor relations. You can also participate in joint missions, where you both get a bonus afterwards. Though for most of the game, the other agencies are opponents you’re trying to beat to each milestone.

Like the space programs, the tech tree unlocks real-world rocket parts and missions. Your first milestone mission tasks you with launching an artificial satellite. Beyond that, there are many options, and you can either attempt to beat everyone to major milestones (first person in space, first person on the moon) or attempt everything available. Playing NASA, I launched my “Laika” rocket putting an animal in space instead of pursuing the first lunar orbit. There’s no need to follow historical events here, though it’s often important to be the first to reach an objective, since there are bonuses for the first three to complete a new mission.

Alongside the rockets, you get to build up your space center, researching new buildings and constructing them to improve your capabilities. There’s a bit of a puzzle to the base building, as buildings can have adjacency bonuses, encouraging you to keep certain buildings touching and others apart from each other. I’m sure there’s a guide somewhere that details the optimal space center layout, but the bonuses aren’t so dramatic as to require perfect placement.

When you decide on a mission to pursue, you have to build the payload and rocket, selecting from the parts you’ve unlocked. You can also select parts you haven’t researched, and the game will indicate those in the research tree to keep track of which you need for the mission. Each part you select has various stats, the most important of which is its reliability: the more reliable a part is, the less likely it is to fail during a mission. Your parts will level up as you use them, becoming more reliable with each launch, but the most reliable parts are also the most expensive to build.

Once you’ve got your rocket constructed, it’s time to prepare the launch. You get to select the crew (for crewed missions), a launch bonus that increases the longer you wait before launching (like bonus reliability), and a launch date. While you can select any launch date you’d like, there are certain months where the conditions are more favorable; selecting an unfavorable launch window penalizes your reliability.

When it comes to the actual mission launches, there’s a lot of RNG. There’s a roll to determine how the launch goes (failure, negative, normal, or positive) with a penalty or bonus depending on the value. A higher reliability makes it easier to get normal or positive results. I haven’t had a launch failure yet, but I’m sure it’s accompanied by a large explosion.

Once the mission is off the ground, there may be a number of phases where you manage resources in an attempt to achieve a goal. Each phase will have different resources you’re managing, and you only have a handful of turns to achieve the results. It’s a fun little minigame, but it can get boring after a while; though there’s an “auto-resolve” option that will determine the outcome based on the payload reliability. Like the launch, each command gets a roll to determine if it’s successful, with a bonus on a high roll and a penalty on a low roll (though you can use power to negate a penalty).

In other reviews I’ve read, the RNG of the missions is the biggest annoyance people seem to have with the game, but it doesn’t bother me. Even the most well-prepared mission can go awry, and at least the RNG is well-communicated rather than hidden as it is in most games.

Mars Horizons is very easy to play, and has some great visuals. You can skip a lot of the cinematics and UI animations to speed things up (some of the animations take their time). Everything is kept pretty simple – there’s no photorealism here – but is still attractive. While I’m not sure how re-playable it is, I love how accurate it is to real life (with several achievements for beating the real-world dates of several missions), and I know I’ll get plenty of playtime managing my space agency.

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Games Reviews

Review: Nebulous Fleet Command (Early Access)

I really want to love this game. The realism and strategy are top-notch. Unfortunately, I find the controls very frustrating, resulting in accidental missile launches (forgot to hold ALT) and ships that won’t go where I want them to go (can’t get the right heading on the sphere). The lack of any sort of pause makes control issues worse because I can’t sacrifice extra time to correct mistakes (or cancel a missile launch).

Using the targeting sphere to set missile waypoints.

The core interaction mechanism used for navigation is a targeting sphere, projected onto a 2D plane. It’s probably the best way to handle maneuvering in this sort of game (I’m fairly certain Homeworld does something similar), but I spend half my time swinging the view around to try to get things on the side of the sphere I need. Since maneuvering and positioning is such a core mechanic in the game, you interact with this sphere a lot, and I find it infuriating to work with. If the developers can find some way to make it a little more intuitive, I might be able to really enjoy the game.

Aside from the controls, there’s currently very little to the game. Eight tutorial missions, a skirmish mode, and multiplayer. There appear to be plans for a full campaign and a strategy mode where you vie for control of a solar system. There’s also the promise of modding support, which can add a lot to the game.

The damage control map, showing all the bits of the ship that can be damaged.

There’s a lot of depth to what’s here, though. Your ship’s mounts and internals can be damaged or destroyed, with repair teams travelling through the ship to make repairs (and those teams can be killed if the component they’re in is attacked). There’s electronic warfare and stealth mechanics. There’s a variety of weapons like missiles, cannons, rail guns, and lasers. You can customize ships to fulfill specialized roles and construct fleets for combat.

So while I can’t recommend the game as it currently stands, it’s a great foundation and I’m sure it can become something I’d really enjoy playing. The current price ($20) is a little high for what’s currently offered, but with the additions I mentioned above, it could definitely be worth it.

I just can’t get that damn sphere to cooperate.

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Games Reviews

Review: Dice Legacy

I love survival city builders and I’m an avid board gamer, so you’d think Dice Legacy would be a perfect match, but even at a steep discount, I can’t recommend Dice Legacy.

The concept is definitely interesting. I could see this as a great physical board game. However, the pure RNG nature of the dice makes it difficult to plan or recover. Dice have a “durability” that decreases with each roll, and if you employ them at 0 durability, you lose them. Alternatively, you can send them to the cookhouse to eat and recover their durability. If a die doesn’t have the face you want or need, you have to keep rolling. I found myself often rolling multiple times in an attempt to get what I needed, but ended up just draining the durability of my dice. In the best dice-rolling board games, there’s some way to mitigate the randomness of a roll, but Dice Legacy lacks any way to alleviate a bad roll. At least at the start; there’s a broad tech tree and there appear to be some roguelite systems to permanently improve dice between plays, but I’m not really interested in suffering to get to that point.

This is how I lost my first game – buildings burning with no one to put out the fires.

The game is also extremely tedious, with lots of clicking to move dice around and place resources. The first time I placed a die in the cookhouse to restore its durability, I was confused because nothing happened. It turns out I have to click the “food” resource and click on the cookhouse to supply it with food. (I’m not sure why that couldn’t have just happened when I dropped the die.)

On a positive note, the graphics are lovely and the soundtrack is pleasant. The controls are easy enough to understand even though the interface can be a bit cryptic at times (there’s not really any tutorial). There looks to be a good amount of depth as well, for those who want to suffer through the initial hours.

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Games Reviews

Review: IXION

I’ve been really excited about IXION since I heard about it a few months back. A survival city builder where you build up a space station and jump from system to system collecting the resources you need to survive? Sign me up! Unfortunately, IXION feels like an Early Access release, and with the number of bugs and balance issues, the asking price is far too high. Recently, I was unable to load several recent saves; I had to go back a few hours to find a save that would load. That sort of lost progress is unacceptable in a full release.

Travelling through subspace. Or hyperspace. Or whatever it’s called in IXION.

IXION is in the vein of Frostpunk, Surviving Mars, and other survival city builders and gets compared to those a lot. It’s extremely difficult early on and forces you to make some hard choices at times, but the difficulty feels artificially inflated by seemingly arbitrary penalties. The go-to example is in the first chapter of the game: you get a permanent -1 stability penalty due to story events, and if you linger in the starting system too long, you get another -1 stability penalty for remaining there. Once you leave, the penalty for staying is removed, but it’s replaced with a new permanent -1 stability for leaving that system behind. I understand that the penalty for lingering is to encourage the player to keep progressing instead of depleting a system and being over-prepared, but it seems arbitrary when you’re just guaranteed a different penalty for progressing. That said, starting in chapter 2 you’re able to counter the stability penalty with a number of stability-enhancing buildings, at which point you can linger as long as you like.

However, there are some penalties that just don’t make sense. There’s a -1 stability penalty for having a lot of colonists in cryo-pods, which encourages the player to simply leave people behind instead of rescuing them. In this case, the penalty is again to prevent the player from being over-prepared by having people available to replace any lost by random accidents, but just as before, seems backwards when applied to the game. (And an objective in the first system requires you to recover 500 pods.) Once you’ve unlocked waste recycling (which seems to come later in the tech tree than it should for an advanced mobile space station), there’s a penalty for storing waste rather than purging it into space. Here, the penalty seems to balance the power of recycling, since it essentially makes you self-sufficient.

Aside from the arbitrary penalties, this space station capable of travelling through space and time seems to be held together with duct tape and chewing gum. In Frostpunk, you have to keep a stockpile of coal to keep the generator burning. In IXION, your space station is constantly deteriorating and requires constant repair; and those repairs require the same resource used to build structures; sometimes you get to choose between housing your population or repairing the station. (Though if you have to make that choice, you’re already losing.) The speed of the deterioration increases as you progress (with each jump both lowering your maximum hull integrity and permanently increasing the deterioration rate), and each sector you open permanently increases the deterioration rate. I think a better (and more logical) choice would be to have jumps damage your hull (requiring repairs at the start of each system) without causing constant deterioration. Opening new sectors should have no effect on deterioration (I just don’t get that at all). Moving your station should and does deteriorate your hull, as positioning is a powerful mechanic and makes a good trade-off.

Making things worse is the number of non-workers you end up with. These are essentially worthless population. You can train them as colonists, but you don’t really need that many of them. As you thaw people, you’ll end up with more and more people that require housing and food but provide no benefit. I think the non-workers are meant to represent those that stay at home while others in the family work (like children), but there should be some way to train non-workers into workers. There’s an option later in the game so you only thaw workers, but it comes with a hefty -3 penalty. (With a special tech later to reduce it to -1.)

Certain actions like moving your station or activating the jump drive drain all power from your station, requiring it to run on batteries. To prevent batteries from draining quickly, you typically need to disable a bunch of buildings, which is annoying micromanagement – it’d be nice to simply have an option on each building to toggle whether it runs on battery power or not (with certain buildings like housing lacking that option). Alternatively, the station could just use the batteries themselves to power the jump – if you’re not generating enough power, you won’t be able to move or jump, or will have to wait a long time to charge the batteries.

On a positive note, I really enjoy the fleet management and sending ships around the system. Sending probes to discover new resources or points of interest is a resource sink but works really well; cargo and mining ships are automated and tend to do what I want; and sending science ships around to investigate anomalies is fun. Ships gain experience as they do their thing, making them more capable over time. I’ve read about bugs with the ships but I’ve been fortunate enough not to run into any. To balance this, however, there are space hazards that all your ships will happily fly straight through instead of navigating around. There should be some option to simply say “avoid hazards” with the penalty of having those ships take longer to make their trips.

Construction and building design is good, with lots of different shapes and sizes requiring some sector-planning Tetris to get everything to fit. Sectors are isolated and can specialize, which is nice, but the amount of space you have to sacrifice to things like stability-improving buildings (which are large) makes it difficult to truly specialize sectors. Workers can’t travel from one sector to another, so you can’t, say, have a food-and-housing sector and an industrial sector – the housing, food, and medical facilities have to be present in every sector. (Though food production can be located in a different sector and exported where needed.)

My favorite choice in the entire game.

The research you can do at planets along the way is also a lot of fun. You send a science ship out to a planet to investigate and respond to the events in a choose-your-own-adventure style branching dialog tree. Not every event has a positive outcome – sometimes it’s better to just leave things alone. However, it’s typically worthwhile to explore every planet, if just for the science income.

Later in the game, after you’ve unlocked enough technology, you’ll be swimming in resources and have a new problem: not enough storage space. It’s a weird predicament to be in, where you can’t even deconstruct a building because you have no place to put the resources. I don’t need to use my mining or cargo ships anymore (unless I want to), because I can use recycling to get any resource I need. I have an entire sector dedicated to housing most of my 4000-strong population (and all those non-workers), which generates enough waste to keep all my recyclers running non-stop. (Though I had to turn them off because I had too many resources.)

I’m far enough into the story now that I can say I actually like it. It’s not designed to be entirely clear – there’s a lot of mystery around what’s been going on in your absence. But each new system introduces a new obstacle to deal with: chapter 2 introduces space hazards, chapter 3 has a moving hazard, and chapter 4 introduces an enemy that pursues and attacks you.

All that said, the game is gorgeous. The space maps, the external station views, the interiors; everything looks great.

For a game I was extremely excited about, this has been pretty disappointing (being unable to load a save was particularly defeating). I’m sure all these problems will be fixed through patches, but skipping an Early Access release was a poor choice – I’d reserve my judgement if this was an early release. However, for a full release at this price, there are simply too many issues to recommend IXION at this point. I definitely enjoy the game, however, so maybe in a few months I can enthusiastically recommend the game.

Also, random side note: the main menu gives me some extreme motion sickness. The background video is views of the station spinning through space, and when you pop up a static settings menu over that with a not-quite-opaque background, it’s vomit time.

IXION main menu, with settings menu open; Tiqqun space station rotating in background.
Luckily the space station can’t rotate in a screenshot.
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Games Reviews

Review: Against the Storm (Early Access)

The Blightstorm raging around the Smoldering City

I play a lot of survival city builders, but there’s always a certain point where you’ve solved all the puzzles, balanced your resources and population, and the “survival” part fades away as you just keep building.

Against the Storm solves that issue by making each city short-lived. You’re constantly starting from scratch and working to balance your population and resources, with the added difficulty of the forest getting angrier the longer you’re around. Each level also has a loose time limit represented by the “Queen’s Impatience”, and if you haven’t achieved your goals quickly enough, you lose. (Which really just means you don’t get as many resources for the meta-progression.)

The city building is kept fresh by randomization of the buildings you can choose from; you can’t follow the same pattern every time because you may not have the same buildings available. In addition, each city has random modifiers that provide bonuses and penalties, and often affect how you approach your expansion.

The meta-progression between cities adds new starting bonuses, new buildings and features, ways to mitigate the randomness (by providing re-rolls or expanding the number of choices you have), and other smaller bonuses (like slowing the queen’s impatience or increasing production speed). Like most roguelite systems, it simply makes the game a little easier the longer you play.

Aside from the gameplay itself, Against the Storm is extremely well-polished for an Early Access game – the visuals are great, everything feels “complete”, and I have yet to run into any bugs. The team updates the game every two weeks, and recent updates have added a lot of new content and adjusted several aspects of the game.

Against the Storm has quickly become one of my newest addictions, being pretty easy to play but also having a lot of depth and difficulty (if you want to push into higher difficulty levels). I’ll definitely be playing it for a long time to come.

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Games Reviews

Review: Sable

Sable was a day-one release on Xbox Game Pass back in September 2021, but I was late to the game and only started a few months ago. When I saw it’d be leaving on 10/16, I decided to get back into it and finish it up. Luckily, Sable isn’t a very long game, so I was able to complete it in a few days once I got back into it; and I’m very glad I did.

The Gliding

Sable is about a young girls’ “Gliding”, where she leaves her clan to explore the world and choose a mask. (It’s basically her rumspringa.) Your journey ends when you choose a mask, and most of the game is spent exploring the world and earning badges to claim each of the various masks. There’s no “right” choice in the end – you’re free to choose whatever you like and there’s no consequence for the choice.

Sable is a game that’s about the journey rather than the destination. You can trigger the ending pretty quickly (within a few hours), but even the message in the game that starts the final quest tells you there’s no rush. If you’re a completionist (like me), it’ll take a little longer – earning all the achievements took me around 11 hours (mostly because I only found out about fast traveling very late in the game). It’s relatively easy to earn all the achievements as well – they’re mostly focused around earning the different masks in the game and collecting a variety of clothes and bike parts. The only things I needed to “grind” for were finding enough of the chum eggs to finish the “Building a Queendom” quest for the chum queen. The achievements are really the only “push” toward completing everything.

The Masks

The mask crafter is a little creepy.

Masks in Sable indicate a person’s profession or focus. You start with the child mask and earn the Ibexii mask as you leave your clan. The other masks are all earned by completing quests or performing actions specific to the profession; each requires you to earn three badges. If you want the merchant mask, you can simply buy three badges from merchants and trade them in for the mask. You’ll have to perform favors for guards, mechanists, innkeepers, or entertainers to earn their badges. The climbing and cartographer masks both require some climbing. You earn scrapper badges by exploring wrecks and selling salvage. The remaining few masks are earned from special quests. Whenever you’ve earned a set of badges, you can visit a “Mask Crafter” to earn the specific mask.

Getting Around

Most of Sable’s exploration involves climbing, and the climbing mechanic is very similar to Shadow of the Colossus – your stamina depletes as you climb, and you drop if you run out. You can earn additional stamina through a special side quest which makes the climbing a lot easier. Generally, however, you don’t need the extra stamina to find everything you need.

You also have “The Perpetual” a magic stone that puts you in a bubble to slow your descent. You can cross large areas with it without losing too much altitude, and it also saves you if you fall from heights.

Before you leave your tribe, you spend some time collecting parts to build your hoverbike, which is the only companion you’ll have for most of the game. You can even call for it and it’ll find its way to you, like a faithful steed. As you play, you can unlock new parts for your bike to enhance its capabilities, along with new paints to change its look. Once I bought the speeder bike parts, I was cruising around the map with ease.

The hoverbike was also one of the buggiest parts of the game for me. It eventually stopped coming to me when I called, and when riding, it’d occasionally spaz out, flip, and start spinning on its nose. It was only a minor distraction, though; I loved my bike the whole game.

The background

Sable’s art style stands out, and I personally think it looks amazing. Each area in the game has a slightly different atmosphere and features to distinguish it from others. There are a few times when the art style hides some geometry that makes traversal a little more annoying (the vertebrae on the giant skeletons in a few areas will blend together and look like a flat surface), but in general the art style is really attractive.

Sable also has a great backstory that you learn by solving special puzzles in shipwrecks. It doesn’t have much bearing on the gameplay itself, but I’d love to see more games in the same world that Sable builds.

The End

Each player’s journey through Sable will be slightly different, and the choice each player makes in the end is personal, and I love that aspect of the game. It’s a great game to play when you just need some time to relax and explore, and I’m glad I took the time to see it through to the end.